is an architectural and graphic designer, installation artist, researcher, and writer
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In response to the fast-paced culture of design studios, Digital Design Archive is an introductory resource for introducing new designers to overlooked or foundational design stories. The identity uses playful, approachable visuals that make the content feel inviting without distracting from the historical
work itself.
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Published as a way to archive and collect compelling works from the College of Architecture and Design at the University of Houston, Prospectus features Lauren Campbell and Adrienne Brown’s exemplary design work among other architectural designers.
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The final act for MFA Design graduates is to collaboratively design, brand, and produce a professional exhibition showcasing their thesis work. Shown here is conceptual models and graphics serving as a placeholder.
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Providing autonomy and a mini archive for freshmen design students, at the University of Texas, this lecture and class activity was one of their first introductions into visual analysis in design. Two key aspects in this project were flexible binding and an approachable feel.
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05 Wander Trail Application
Designed to help users discover, plan, and compare hiking trails around the world, Wander prioritizes core UX/UI principles: accessibility, navigation, and simplicity. Developed using user personas, a robust content inventory, and iterative user testing, this mobile app reflects a commitment to usability and ease.
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Inspired by risograph printing, this summer installation used bold, layered colors to energize the storefront and create contrast with the season’s softer apparel tones. A vibrant playful composition that celebrated light, color, and seasonal shift transformed the space.
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This wood block signature references the lineage of print makers from the University of Texas. As an homage to print making and exploring new technologies with analog methods, this project focuses on fabrication and the limitations of modern machines.
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Inspired by vintage aperitif culture, a fictional orange liqueur called Panthera, seeks out storytelling and packaging that feels tactile and celebratory. The brand evokes a warm, retro atmosphere using color, photography, and composition to connect with a customer who values laid-back cool and quiet charm.
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Inspired by the circular shape of a coffee mug and the simplicity of a child’s sun drawing, Thursday Mornings is a spiral-
bound zine created by the MFA Design Class
of 2026. The project celebrates routine, collaboration, and the quiet joy of making together without the pressure of deadlines.
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Designed using wood typefaces from Rob Roy Kelly’s collection, this poster evokes a classic Americana aesthetic with a contemporary edge. The use of risograph printing introduced vibrant, layered textures that gave the composition a youthful energy—aimed at engaging new voters on campus with bold typography, color, and immediacy.
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Supplied with a concept to expand Anthropologie’s Daily Practice activewear line I led the design, fabrication, and installation of a large-scale retail display inspired by luxe sport motifs. The display energized the retail space while highlighting product with playful scale, texture, and a sense of motion.
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Across Mostar buildings lie in ruins. These crumbled forms are a constant reminder to residents of a war torn country and instability. This modular installation seeks to allow individuals to reoccupy these spaces and start to shift the building’s narrative with musical programming and color.
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